Propeller Q&A "As soon as I started writing fiction with focus and intention it took place in Europe."
Propeller Q&A "They regularly resisted the narrative push toward arc or crisis...instead operating much more associatively, where a dramatic event becomes yet another stop in an echolocation through the dark, only briefly illuminated and somewhat illusory in its meaning."
By Patrick McGinty Stefan Lorant escaped Hitler, was hired to play violin by Kafka, and then wrote the history of the city of Pittsburgh. Examining the weaknesses and biases of Lorant's prose, however, leads to a consideration of the weaknesses and biases of cities themselves—and of anyone who hopes to explain them.
Reviews, reflections, conversations.
"As soon as I started writing fiction with focus and intention it took place in Europe." A Q&A with Elizabeth Lopeman on her debut story collection, Trans Europe Express. more
"They regularly resisted the narrative push toward arc or crisis...instead operating much more associatively, where a dramatic event becomes yet another stop in an echolocation through the dark, only briefly illuminated and somewhat illusory in its meaning." more
The speaker of many of these poems wants to touch ecstasy with both the spirit and the flesh—wants to "eat hot dinner rolls & get smash beatific." more
Stefan Lorant escaped Hitler, was hired to play violin by Kafka, and then wrote the history of the city of Pittsburgh. Examining the weaknesses and biases of Lorant's prose, however, leads to a consideration of the weaknesses and biases of cities themselves—and of anyone who hopes to explain them... more
Propeller Q&A Through poetry, fiction, and essay, Winged: New Writing on Bees features thirty-six writers exploring the relationship between human and honeybee. Melissa Reeser Poulin, the book's editor, discusses the origin of the project and... more
By Emily Burns Morgan John Fowles and Kurt Vonnegut both qualify as writers of "metafiction," but their approaches—and the conclusions they come to—couldn't be more different... more
By Alan Limnis Kooser's latest is more than a "field book." more
Propeller Q&A When the Holocaust is family history. more
Crafted, designed, choreographed, performed.
Supported by two table bases, the piece seems to both float in and reach out from the space it inhabits, and depicts the city's landscape in a way that seems somehow both pre-civilization and post-apocalypse... more
Art form of the twentieth century.
The Counselor sports neither the dynamic, engrossing narrative of No Country for Old Men nor the beating heart of the central relationship in The Road. It is, however, far funnier than both of those films, and no less serious in its concerns. more
Investigations and lived experience.
A bold October film revealed the Dodge brothers were arrogant one percenters. In a historical outrage, a November film rewrote the record. more
Did General Electric just broadcast—directly, to the entire country—its plans to manipulate the power and air traffic grids for its own sexual gratification? more
Language, pushed.
It's funny to me that the only time I ever experience what by now I'm sure every armchair psychoanalyst reading this has accurately diagnosed as penis envy is in the world of books and ideas. Same place it came from... more
Reports from court and field.
Ty Zimmerman. Sam Barrington. Trent... more